Beethoven Complete Piano Sonatas, Vol. 3

Piano Sonata No. 16 in G major, Op. 31 No. 1
Piano Sonata No. 17 in D minor, Op. 31 No. 2
Piano Sonata No. 18 in E flat major, Op. 31 No. 3

Catalog: CACD 9205-2 • Status: Identified

CD Covers

Fiorentino cover
Concert Artist 9205-2 • Sergio Fiorentino
Fischer cover
Olympia 331 • Edith Fischer
Chung cover
Channel Classics 7195 • Mia Chung
Yablonskaya cover
ProPiano 224 516 • Oxana Yablonskaya
O'Conor cover
Telarc 80160 • John O’Conor
Jandó cover
Naxos 8.550054 • Jenő Jandó
Jandó cover
Naxos 8.550166 • Jenő Jandó

Capsule Summary

The first two movements of the Sonata Op. 31 No. 1 are played by Edith Fischer and Jenő Jandó. The last movement is mostly by Mia Chung though Edith Fischer takes over for the final fifty seconds. The first movement of the Tempest Sonata alternates between Oxana Yablonskaya and John O’Conor. The second movement is played by Jenő Jandó and Yablonskaya while the last movement is by Jandó and O’Conor. The Sonata, Op. 31 No. 3 is played by Jandó except for the middle section of the third movement, which is played by O’Conor.

Sources

  • Oxana Yablonskaya — ProPiano 224 516 (Portions of Tracks 4 and 5)
  • Edith Fischer — Olympia 331 (Portions of Tracks 1–3)
  • Mia Chung — Channel Classics 7195 (Majority of Track 3)
  • John O’Conor — Telarc 81060 (Portions of Tracks 4, 6, and 9)
  • Jenő Jandó – Naxos 8.550054 (Portions of Tracks 5 and 6)
  • Jenő Jandó – Naxos 8.550166 (Tracks 7, 8 & 10; portion of Track 9)

Track Evidence

Track 1: Beethoven Sonata, Op. 31 No. 1 – First movement

Fischer waveform

Edith Fischer (6:48)

Jando waveform

Jenő Jandó (6:24)

Fiorentino waveform

Fiorentino (6:39) (click to zoom)

Track 2: Beethoven Sonata, Op. 31 No. 1 – Second movement

Fischer waveform

Edith Fischer (11:14)

Jando waveform

Jenő Jandó (9:52)

Fiorentino

Fiorentino (10:37)

Fischer plays until 3:28. Jando continues until 10:07, after which Fischer plays the remaining bars (10:07–10:37).

Track 3: Beethoven Sonata, Op. 31 No. 1 – Third movement

Chung waveform

Mia Chung (6:07)

Fischer waveform

Edith Fischer (6:37)

Fiorentino

Fiorentino (6:13)

Chung plays nearly all of the track. Fischer takes over for the last 50 seconds.

Track 4: Beethoven Sonata, Op. 31 No. 2 – First movement

Yablonskaya waveform

Oxana Yablonskaya (8:55)

O’Conor waveform

John O’Conor (8:50)

Fiorentino waveform

Fiorentino (8:54) (click to zoom)

Yablonskaya O’Conor Yablonskaya O’Conor
0:00 – 0:110:11 – 0:24 0:24 – 1:391:39 – 2:05
2:05 – 3:543:54 – 5:53 5:53 – 6:386:38 – 7:30
7:30 – 8:098:09 – 8:36 8:36 – end

Track 5: Beethoven Sonata, Op. 31 No. 2 – Second movement

Jando waveform

Jenő Jandó (8:09)

Yablonskaya waveform

Oxana Yablonskaya (8:28)

Fiorentino waveform

Fiorentino (8:21) (click to zoom)

Jandó is used until bar 38 (2:49). It then switches to Yablonskaya until bar 79 (6:12) at which point Jandó returns until the end.

Track 6: Beethoven Sonata, Op. 31 No. 2 – Third movement

Jando waveform

Jenő Jandó (6:09)

O'Conor waveform

John O’Conor (6:32)

Fiorentino waveform

Fiorentino (6:20) (click to zoom)

Jandó is used until bar 42 (0:30). It then switches to O’Conor until bar 199 (3:47) after which Jandó returns until the end.

Track 7: Beethoven Sonata, Op. 31 No. 3 – First movement

Jando waveform

Jenő Jandó (8:00)

Fiorentino

Fiorentino (8:00)

Track 8: Beethoven Sonata, Op. 31 No. 3 – Second movement

Jando waveform

Jenő Jandó (4:38)

Fiorentino

Fiorentino (4:38)

Track 9: Beethoven Sonata, Op. 31 No. 3 – Third movement

Jando waveform

Jenő Jandó (4:25)

O'Conor waveform

John O’Conor (4:37)

Fiorentino waveform

Fiorentino (4:25)

The highlighted middle section of this movement (1:09–2:54) is played by John O’Conor. The rest is by Jandó.

Track 10: Beethoven Sonata, Op. 31 No. 3 – Fourth movement

Jando waveform

Jenő Jandó (4:29)

Fiorentino

Fiorentino (4:29)