Beethoven Complete Piano Sonatas, Vol. 2

Piano Sonata No. 12 in A flat major, Op. 26
Piano Sonata No. 13 in E flat major, Op. 27 No. 1
Piano Sonata No. 15 in D major, Op. 28 “Pastorale”

Catalog: CACD 9204-2 • Status: Identified

CD Covers

Fiorentino cover
Concert Artist 9204-2 • Sergio Fiorentino
Perl cover
Arte Nova 27764 • Alfredo Perl
Ránki cover
Hungaroton HCD 31060 • Dezső Ránki
Varjon cover
Capriccio 10714 • Dénes Várjon
Hobson cover
Zephyr 104-97 • Ian Hobson
Jandó cover
Naxos 8.550166 • Jenő Jandó

Capsule Summary

The Sonata Op. 26 is divided among Alfredo Perl, Jenő Jandó, Dénes Várjon, and Ian Hobson. The first, fourth movements, and nearly all of the third movement of the Sonata, Op. 27 No. 1 are by Dezső Ránki, as is the entire Sonata, Op. 28. The second movement of Op. 27 No. 1 and the opening 14 seconds of the third movement are by Ian Hobson.

Sources

  • Dezső Ránki — Hungaroton HCD 31060 (Tracks 5, 8–12; most of Track 7)
  • Alfredo Perl — Arte Nova 27764 (Portion of Track 1)
  • Dénes Várjon — Capriccio 10714 (Portions of Tracks 1 & 2)
  • Ian Hobson — Zephyr 104-97 (Portions of Tracks 3, 4 & 7; Track 6)
  • Jenő Jandó — Naxos 8.550166 (Portions of Tracks 3 & 4)

Track Evidence

Track 1: Sonata No. 12 in A flat major Op. 26 – First movement

Perl waveform

Alfredo Perl (8:29)

Jandó waveform

Jenő Jandó (7:14)

Varjon waveform

Dénes Várjon (7:24)

Fiorentino

Sergio Fiorentino (7:54) (click to zoom)

Perl plays the opening theme (0:00–1:26). Jandó then plays Variation 1 (1:26–2:34). Várjon plays Variation 2. Jandó returns to play the “A” section of Variations 3. Perl takes over at the “B” section and then continues until the end of the movement.

Track 2: Sonata No. 12 in A flat major Op. 26 – Second movement

Varjon waveform

Dénes Várjon (2:44)

Jandó waveform

Jenő Jandó (2:47)

Fiorentino waveform

Fiorentino (2:43) (click to zoom)

Most of the movement is played by Varjon. Jandó plays from (1:18–1:54).

Track 3: Sonata No. 12 in A flat major Op. 26 – Third movement

Hobson waveform

Ian Hobson (7:03)

Jandó waveform

Jenő Jandó (6:07)

Fiorentino waveform

Fiorentino (6:34) (click to zoom)

Hobson plays the opening A section (0:00 – 2:34) and the codetta (5:49 – end). Jandó takes over for the (highlighted) middle section and the return of the A theme (2:34 – 5:49).

Track 4: Sonata No. 12 in A flat major Op. 26 – Fourth movement

Hobson waveform

Ian Hobson (2:58)

Jandó waveform

Jenő Jandó (2:53)

Fiorentino waveform

Fiorentino (2:54)

Hobson plays until the middle section (0:00 – 1:19), after which Jandó (highlighted) plays the remainder (1:19 – end).

Track 5: Sonata No. 13 in E flat major Op. 27 No. 1 – First movement

Ránki waveform

Dezső Ránki (5:11)

Fiorentino waveform

Fiorentino (5:11)

Track 6: Sonata No. 13 in E flat major Op. 27 No. 1 – Second movement

Hobson waveform

Ian Hobson (2:13)

Fiorentino waveform

Fiorentino (2:13)

Track 7: Sonata No. 13 in E flat major Op. 27 No. 1 – Third movement

Hobson waveform

Ian Hobson (3:09)

Ránki waveform

Dezső Ránki (2:57)

Fiorentino waveform

Fiorentino (2:57)

Hobson continues into this movement for the first 14 seconds. Ránki then plays the rest

Track 8: Sonata No. 13 in E flat major Op. 27 No. 1 – Fourth movement

Ránki waveform

Dezső Ránki (5:09)

Fiorentino waveform

Fiorentino (5:09)

Track 9: Sonata No. 15 in D major Op. 28 – First movement

Ránki waveform

Dezső Ránki (9:20)

Fiorentino waveform

Fiorentino (9:20)

Track 10: Sonata No. 15 in D major Op. 28 – Second movement

Ránki waveform

Dezső Ránki (7:05)

Fiorentino waveform

Fiorentino (7:05)

Track 11: Sonata No. 15 in D major Op. 28 – Third movement

Ránki waveform

Dezső Ránki (2:29)

Fiorentino waveform

Fiorentino (2:29)

Track 12: Sonata No. 15 in D major Op. 28 – Fourth movement

Ránki waveform

Dezső Ránki (5:12)

Fiorentino waveform

Fiorentino (5:12)