Beethoven Complete Piano Sonatas, Vol. 1
Piano Sonata No. 1 in F minor, Op. 2 No. 1
Piano Sonata No. 2 in A major, Op. 2 No. 2
Piano Sonata No. 3 in C major, Op. 2 No. 3
Catalog: CACD 9203-2 • Status: Identified
CD Covers
Capsule Summary
The Sonata, Op. 2 No. 1 is mostly by Alfredo Perl with some parts of the last three movements played by Jenő Jandó. The Sonata Op. 2 No. 2 is divided between Edith Fischer and Alfredo Perl though Fischer plays the entire second movement. Sonata Op. 2 No. 3 is mostly played by Oleg Volkov with some appearances by Alfredo Perl and Jenő Jandó.
Sources
- Alfredo Perl — Arte Nova 27762 (Track 1; Majority of Track 2; Portions of Tracks 3–5 & 7–10)
- Edith Fischer — Olympia 331 (Portions of Tracks 5, 7 & 8; Track 6)
- Oleg Volkov — Brioso 115 (Portions of Tracks 9–12)
- Jenő Jandó — Naxos 8.550150 (Portions of Tracks 2–4, 9, 11 & 12)
Track Evidence
Track 1: Beethoven Sonata, Op. 2 No. 1 – First movement
Alfredo Perl (3:53)
Fiorentino (3:53)
Track 2: Beethoven Sonata, Op. 2 No. 1 – Second movement
Alfredo Perl (5:29)
Jenő Jandó (4:46)
Fiorentino (5:30)
Most of this movement is played by Alfredo Perl. Jandó takes over for the highlighted final 21 seconds.
Track 3: Beethoven Sonata, Op. 2 No. 1 – Third movement
Alfredo Perl (3:21)
Jenő Jandó (3:05)
Fiorentino (3:17)
The outer sections are played by Alfredo Perl. Jandó plays the middle section.
Track 4: Beethoven Sonata, Op. 2 No. 1 – Fourth movement
Alfredo Perl (4:58)
Jenő Jandó (4:51)
Fiorentino (4:57) (click to zoom)
Most of this movement is played by Alfredo Perl. Jandó appears for 35 seconds in the exposition (0:22–0:57), and again at the parallel point in the repeat (1:27–2:02).
Track 5: Beethoven Sonata, Op. 2 No. 2 – First movement
Edith Fischer (8:27)
Alfredo Perl (7:16)
Fiorentino (7:56) (click to zoom)
Edith Fischer plays the opening 1:26. Perl then takes over although an editing error results in the descending five note motive being played an extra time. Fischer resumes at 2:05 and continues until 3:27. Perl then plays until 6:11, after which Fischer closes out the movement.
Track 6: Beethoven Sonata, Op. 2 No. 2 – Second movement
Edith Fischer (7:37)
Fiorentino (7:37)
Track 7: Beethoven Sonata, Op. 2 No. 2 – Third movement
Edith Fischer (3:45)
Alfredo Perl (3:22)
Fiorentino (3:30) (click to zoom)
| Fischer | Perl |
|---|---|
| 0:00–0:31 | 0:31–0:48 |
| 0:48–1:14 | 1:14–2:36 |
| 2:36–2:58 | 2:58–3:14 |
| 3:14–3:30 |
Track 8: Beethoven Sonata, Op. 2 No. 2 – Fourth movement
Edith Fischer (7:25)
Alfredo Perl (6:50)
Fiorentino (6:58)
Fischer plays until 3:51, after which Perl takes over and plays the remainder of the movement.
Track 9: Beethoven Sonata, Op. 2 No. 3 – First movement
Oleg Volkov (10:12) An exposition repeat has been digitally added to match the other waveforms.
Alfredo Perl (10:24)
Jenő Jandó (10:18)
Fiorentino (10:24) (click to zoom)
Volkov is used for the first 43 seconds. Perl then takes over until 2:25. Volkov plays until 3:28, where three bars by Jando are inserted (highlighted) to facilitate the exposition repeat. Perl takes over at 3:28 and plays until 5:26 after which Volkov plays the final five minutes.
Track 10: Beethoven Sonata, Op. 2 No. 3 – Second movement
Oleg Volkov (7:49)
Alfredo Perl (8:31)
Fiorentino (7:56)
Most of the movement is played by Volkov. Perl plays from 6:43–7:41.
Track 11: Beethoven Sonata, Op. 2 No. 3 – Third movement
Oleg Volkov (3:36)
Jenő Jandó (3:06)
Fiorentino (3:38)
Volkov is used for the outer sections and Jandó for the middle section.
Track 12: Beethoven Sonata, Op. 2 No. 3 – Fourth movement
Oleg Volkov (5:14)
Jenő Jandó (4:58)
Fiorentino (5:15)
Jandó takes over from Volkov for the last 36 seconds.