25 Tracks![]() Concert Artist 9216-2 Joyce Hatto, piano |
Tracks 1, 20-25![]() Studio Matous 32-2 131 Adam Skoumal , piano |
Track
1: Allegro in B Minor, Op. 8![]() |
Adam Skoumal (9 minutes 23 seconds) |
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Joyce Hatto (9 minutes 23 seconds) |
Tracks
2-19: Davidsbündlertänze, Op. 6 |
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UNIDENTIFIED |
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Track 20:
Etude de Concert d'après Paganini, Op. 10 No. 1![]() |
Adam Skoumal (3 minutes 52 seconds) |
![]() Skoumal does not repeat the opening 23 bars, but Hatto does through digital editing. I have digitally added the repeat to the Skoumal recording as Hatto does to show the match. |
Joyce Hatto (3 minutes 52 seconds) |
Track
21: Etude
de Concert d'après Paganini, Op. 10 No. 2![]() |
Adam Skoumal (5 minutes 20 seconds) |
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Joyce Hatto (5 minutes 20 seconds) |
Track
22: Etude
de Concert d'après Paganini, Op. 10 No. 3![]() |
Adam Skoumal (3 minutes 23 seconds) |
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Joyce Hatto (3 minutes 23 seconds) |
Track
23: Etude
de Concert d'après Paganini, Op. 10 No. 4![]() |
Adam Skoumal (10 minutes 13 seconds) |
![]() The Hatto recording shortens two pauses at the circled areas by a total of three seconds. |
Joyce Hatto (10 minutes 10 seconds) |
Track
24: Etude
de Concert d'après Paganini, Op. 10 No. 5![]() |
Adam Skoumal (2 minutes 14 seconds) |
![]() The Hatto recording adds a bizarre extra bass note at the end of the performance. This note is not part in the score and accounts for the additional two seconds duration. |
Joyce Hatto (2 minutes 16 seconds) |
Track
25: Etude
de Concert d'après Paganini, Op. 10 No. 6![]() |
Adam Skoumal (4 minutes 35 seconds) |
![]() The Hatto recording cuts off the final note one second early |
Joyce Hatto (4 minutes 34 seconds) |